| Nasmak is een voormalige, uit Nuenen afkomstige, experimentele newwaveband die in 1978 werd opgericht (als Nasmaak, een naam die een jaar later werd omgedoopt in Nasmak, omdat er geen Nederlandstalige nummers meer werden gespeeld). Zowel nationaal als internationaal oogstte Nasmak succes met een combinatie van de traditionele gitaar-bas-drums-opstelling en experimenten met geluid, zoals het gebruik van een kraakdoos en tapes.
De band ging in 1978 een samenwerking aan met Truus de Groot die deels werkte onder de naam + Instruments en voormalig lid was van de Foolsband. In 1980 verscheen hun eerste lp, Nasmak Plus Instruments/Instruments Plus Nasmak, die zeer positief werd ontvangen en door de gezaghebbende Engelse diskjockey John Peel tot beste plaat van het Europese continent in jaren werd benoemd. Nasmak was de eerste Nederlandse band die in Londen een Peel Session deed.
Zangeres Truus de Groot verhuisde in 1981 naar New York en richtte daar een nieuwe band +Instruments op, met onder andere Lee Ranaldo op gitaar. De band maakt één ep getiteld Februari-April. In 1982 kwam Nasmak met 4our Clicks. Deze lp werd door muziektijdschrift OOR uitgeroepen tot 'misschien wel de beste plaat ooit door een Nederlandse groep gemaakt'. De plaat bevat inventieve, voor Nederlandse begrippen zeer oorspronkelijke muziek en geldt dan ook als een klassieker. De band werd in 1984 opgeheven, maar kwam in 2018 weer bij elkaar als Nasmak PM. Bezetting: Henk Janssen - gitaar, zang Joop van Brakel - zang, gitaar Theo van Eenbergen - basgitaar Toon Bressers - drums Overige muzikanten: Aad van Vught (basgitaar), Koen Ankers (basgitaar), Milco Bogard (gitaar), Truus de Groot (zang, kraakdoos). |
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NASMAK (PM): Past Moves
Nasmak is an experimental new wave band from Nuenen that was founded in 1978 (as Nasmaak, a name that was renamed Nasmak a year later, because no more Dutch songs were played). Both nationally and internationally, Nasmak has achieved success with a combination of the traditional guitar-bass-drums setup and experimentation with sound, such as the use of a crackling synthesizer, tapes and sequencers. In 1978 the band started out with Toon Bressers and Joop van Brakel, both former members of weekend band The Common Starecase, Henk Janssen and Koen Anker. Soon after that they entered into a collaboration with Truus de Groot, who was a former member of the Foolsband Doe Maar (later: Doe Maar). In 1980 Theo Van Eenbergen joined the band (to replace Koen Anker) and their first LP on the Plurex label, ‘Nasmak Plus Instruments/Instruments Plus Nasmak’, was released. The album was received very positively and was named the best album on the European continent in years by the authoritative English disc jockey John Peel. Nasmak was one of the first Dutch bands to perform a Peel Session in London. In 1981 Truus de Groot moved to New York and formed a new line-up of Plus Instruments there, which included Lee Ranaldo on guitar and David Linton on drums. This line-up released one LP entitled February-April on the Kremlin Records label. Plus Instruments continued in various formations and released a number of albums over the years to the present, as well as solo albums by Truus and her collaborative effort with Brazilian Miguiel Barella, Blue Beast. In 1982 Nasmak released 4our Clicks. This LP was proclaimed by music magazine OOR as ‘perhaps the best record ever made by a Dutch group’. The album contains inventive music that is very original by Dutch standards and is therefore considered a classic. In 2000 the album ranked 8th in the OOR-poll “Best Dutch Albums of the 20th Century”. Nasmak was a live band par excellence, a thrilling and hypnotic machine at its best moments. Another trademark of the band was its unpredictability. Nasmak rarely if ever played the material from the just released album, but immediately threw himself into new material. There was plenty of improvisation on stage. Van Brakel left the band in 1983, shortly before the release of the album Duel (on which he still contributed), and moved to Amsterdam, with the intention of working with Dirk Polak (formerly Mecano). After his departure, Nasmak changed course, recorded the album Silhouette (1983) and decided on a final tour in 1984, with an expanded line-up. Then Henk, Toon and Theo and friends founded a recording studio in Eindhoven (Tango Studio, until 1991). All members of Nasmak, including De Groot, have since worked together in partial formations. As a collective they created Nasmak PM (PlusMinus) in 2018. PM mainly stands for PlusMinus, to indicate that the line-up is variable and it is not just about the old Nasmak: members have left, or are sometimes unavailable, and there is also a desire to be able to work with guests. Nasmak PM started 40 years after the founding of Nasmak by Joop, Henk and Toon. |
| In the photo then used in Eindhovens Dagblad you can see the plus-minus sign on the storage space behind them. They discovered that there’s more in store when unlocking it. PM has Plural Meanings: Nasmak’s approach is to present a coherent PM-series, like the band’s Indecent Exposure cassette series 40 years ago but now as successive albums (digital and CD) of 30 to 40 minutes each. Nasmak calls their music “densemusic”. On most PM tracks danceability is paramount, the music is often ‘discoconnected’ and often ‘odddance’, wrapped in pop music. The lyrics, apart from being primarily musical components, assume to be mantras of life, lust, denial and escape, success and failure. And two or three more things, maybe.
PM1 Perpetuum Moblie: “It’s Long Since You last Did Me” (2023) is the first album of this renewed collaboration. It is called Perpetuum Mobile, because the 9 tracks on it are related to material from the early Nasmak days. |